Munich
7.5/10. Saw this yesterday afternoon at the Alhambra in Bern.
Like many of Steven Spielberg’s serious efforts, Munich arrives at the end of its thematic and emotional arcs and its story long before it actually ends. Pretty much everything in its final half hour has been recycled from earlier in the movie. An exception is the reenactment of the climax of the Munich hostage crisis, which is disturbing for all the wrong reasons.
Otherwise, the movie generally succeeds at being an action/thriller with some big ideas in its head. The assassination sequences are deftly executed (with the exception of the final one), it’s full of sharply-written dialogue and engaging performances, and it does make its point (although a similar point was made ten years ago in Les patriotes).

4 Comments:
"The assassination sequences are deftly executed..."
No pun intended?
There are actually two puns there.
The other one is: "An exception is the reenactment of the climax of the Munich hostage crisis, which is disturbing for all the wrong reasons."
I'm still trying to figure out why Spielberg thought anyone would want to watch the Israeli athletes die intercut with Eric Bana achieving orgasm.
I keep wanting to bump this one down to a 7.5, but I can't quite make myself do it. Maybe a 7.75?
Okay, the 7.5s in my head finally overwhelmed the 8s. So 7.5 out of 10 it is.
You heard the man, folks. Start clogging up the multiplexes.
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